Lies and Favors

So yeah… I lied! have not added work to the shop.

It took my husband a while to clear out his office (we’re swapping) … and by that I mean theres still a shelf full of Tor Novels and a pile of miscellaneous stuff that “is not” garbage in one corner.

Things being what they are- I did my best to get my drop and lights set up. I’m still not satisfied with how my photos are coming out and I have a strong suspicion that It’s because I don’t have a real camera. I’ve just been using my phone. That being said, I’ve got Lightroom on my laptop, so I’ll work on them. I still think I need some kind of bounce or filter to make these things less reflective- but because I wasn’t smart enough to take a photography class in Art School- I’m not really sure what they’re called or what works best. Feel free to share any tips! I need help y’all!. Minimally edited example below… really I just cropped it…

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Long Delayed Update

Well, I got the new kiln- but didn’t have a way to vent it other than opening the garage door. We had to have an electrician come out and add an outlet for the vent fan- and then cut a hole in the garage to install the vent. Jared and I finally got the piping and electronics for the vent installed over the weekend. So I did a glaze firing!

…and am learning from failure! A lot of the pieces in this firing “bloated” which basically means that gases within the clay body didn’t fire out completely when bisque fired- so once the clay and glaze started to melt- the air got sealed in and made bubbles in the clay itself.

At least- that’s what I think caused it. Not all of the pieces had bloat bubbles- so I don’t think it has to do with any odd mineral content in our water. The glaze didn’t run- and nothing deformed- so I don’t think it “overfired”- which the kiln controller backs up.

So yeah. Lack of oxygen/ air flow during the bisque not allowing all the organics to burn out of the clay seems like the most likely culprit. I won’t know for sure until I do another full bisque and glaze firing… This is all a long way of saying that I have maybe half a dozen pieces that I consider sellable- meaning no bloat- no glaze flaws- food safe etc. I’ll try to get them photographed and up on Etsy tomorrow.

After that- the plan is to start over and make more things! If you have a request- let me know. I’m excited to start on a couple bigger robots though.

Slowing my roll

Ok, it’s gonna get Arty over here.

I graduated with my BFA in Ceramics in 2010. That was nine years ago. The thing is, 2010 was the last time i was in “regular studio practice.” My work was unified. It was polished. I had a perspective. I knew what I wanted to say and how wanted to say it. —Nine years later, I’m a different person. My perspective has changed. I’ve changed. The world has changed.

I’ve been in my studio formulating different colored clay bodies and glazes. I don’t have access to a gas kiln so I’ve lowered my firing temperature. I’m learning the quirks of new clays. Trying new glazes. New techniques. -But i’ve been making my old work- mostly because I figured it’s the best place to start- and it just doesn’t feel right.

So I’ve made a decision. I’m going to slow down. I’m not going to throw ten cups and make ten robots. I’m going to throw a few forms, trim them, and finish them. Then I’m going to do it again. And again. Maybe the same form, maybe another. Maybe teapots! Teapots for days! - I’m definitely going to make a few larger scale robots- because there are some things I want to explore there. But other than that, I’m just going to experiment. I’m going to throw things at the wall and see what sticks.

Shop updates will likely be few and far between. I can take requests/ pre-orders for holiday gifts if you’d like- just based on things you’ve seen me make. Shoot me an email or dm on insta/ fb.

And if you see things in my feed that are a little different and you like it or don’t like it- let me know. One of the hardest things about making art at home is that you don’t get any feedback. Help me out, fam!

New Kiln- Who Dis?!?!

After months of diminishing returns with repair of my ancient kiln, I got a new one. I re-fired the few pieces that hadn’t been destroyed in previous kiln-tastrophies. The ones that survived and aren’t spoken for will be on Etsy on Friday. Keep Calm though, it’s only, like, 3 items. Had a little overfire that caused some clay to blister.

Anyway, the sneak peak pic of the firing lead my friend Doug to ask some pretty cool questions. Soooo…

LEARNING TIME!!!!

Does the mineral content of clay have an effect on the firing process?

  • Yup! You can actually change the temperature at which clays mature or vitrify (become solid enough to fuse or “glassify” to hold water without it soaking into the clay). For example “True” porcelains are “high fire” (about 2400ºF) - but modern potters and clay manufacturers have manipulated to composition in different ways to create “midrange” (about 2000ºF) porcelains. This saves a lot of electricity and/or gas as well as dramatically increasing the range of glaze and underglaze colors one can use.

Also, does the thickness?

  • Yup2! When clay is thick it takes a lot longer to dry. As a result a lot of potters will fire the ware much more slowly to give any trapped moisture more time to dry out. Additionally, when clay is thin it can warp as it is fired closer to maturity. This is why a lot of potters hate making plates when they start out!


Does the shape?

  • Sometimes! Sort of! It depends on how much you’re “pushing” the material to do things it doesn’t want to do. For example, it’s challenging to make pieces where not all of the weight is directed directly downward. Like- I’ve made robots that went into the kiln, and came out missing an arm. Stuff like that leads to potters making clay supports that fire with the work, and even dedicate entire firings to one piece. After all- if an arm falls off your sculpture and lands on your cups, it’s gonna be a sad sad mess.

How about the type glaze and the overall finish?

  • OMG totally! Glazes mature- or become glass- at all different temperatures based on their composition. So, you can make work out of high fire porcelain- and then glaze it with lower firing glazes- but that means you can never fire it above the temperature the glaze is designed for. Sometimes you fire in “reduction” (an atmospheric firing where you limit the flow of gasses in a kiln after it reaches temperature- not a thing you do in an electric kiln…). Reduction can result in a lot of really interesting finishes and can actually completely change the color of a glaze. Also, there are a lot of “alternative firing techniques” that can create amazing finishes and dramatically change glazes. Do an image search for “raku” or “saggar fired” ceramics. It’s amazing the things you can change just by manipulating heat and/ or the way you expose clay and glazes to different types of organic materials.

    - The pic I posted is Raku fired stoneware with a plain old low fire commercial clear over flat red underglaze. That’s the same red I use on my robots.

THIS CONCLUDES TODAYS EPISODE OF SEE MO MO-SPLAIN!

Feel free to hit me with any other questions you have. This was fun!

What had happened was...

I am in some crazy Murphy’s Law/ Domino situation with my kiln.

What Had Happened-

The top connection of the top element cracked and melted.

The melted bit of the element hit the connection point beneath it.

Said connection broke in half in my hand when I tried to wiggle it.

The connection below that was essentially tinned by what metal was left.

And the bottom element won’t shut off because the relay failed/ welded in the On position.

Something (probably that relay) smoked the outside of the transformer. It still works, but who knows how long…

All things being equal, I’ve decided to give up the ghost on this kiln. I’ve sunk a lot of time, energy, money, and ruined work in this 30+ year old hand me down kiln and it’s just getting to be too much. Diminishing returns and then some.

This is unfortunately going to cause a bit of a hiatus for me making work. I’ve had a really great job opportunity come up and depending on how things work out, I’ll need to reevaluate what type of kiln/ studio setup I need.

So this is me hitting Pause. I’ll keep you posted as things develop.

[FRT] Failure to Reach Temperature

Well, tried to glaze fire. The kiln quit heating at about Cone 1 and then shut itself down. It wasn’t getting enough heat to hit temp. So at this point I’m looking at either another blown relay, a broken element, or a loose connection. I’ve got a couple spare relays, so I’m hoping it’s that.

This is starting to get really discouraging, but I’m hoping once the kiln cools it’ll be an easy fix. The work in there should be fine, assuming that half fired glaze comes off fairly easily… or sticks solidly enough to re-fire. We shall see…

The Saga Continues...

So, I went to load my kiln last week and noticed that I must’ve broken the on/off switch when I was re-wiring it. It’s a little electromechanical toggle from the 80’s. I tried to find a replacement, but no dice. I had to buy a new controller. Installed it last night.

On the bright side, the new controller can do more that just Cone Fire!!! I can program my own firing schedule!!! I can Preheat!!!! I loaded 4 bowls and 24 cups into the kiln this morning and it’s currently drying out the robot cups- (those shoes are thicc).

I’m still pretty sure all the creamsicle yunomis are probably going to crack. So that’s sad. 😞 But still! New work to glaze this week!!! Woo!!!

Totally unrelated- but I had a dream about test tiles last night. What the heck?!?

It's been a minute

Yeah. I know. I’ve been more than a little quiet for a while. In my defense a looooot of things have been going on. I completely rewired my kiln. I drove across a couple states to buy clay. I’ve been slow drying what I hope will be some beautiful creamsicle yunomis.

Then there’s email. I’ve been sidetracked from making work more than once by the prospect of different and interesting job opportunities. One even ended up with me being in Oklahoma for a few days. Not the best fit though. So I’ve been distracted. I’m still making though! Should be a fair few cups and some bowls going into bisque in the next week or so (again- that sloooow dry)- after that It’s a few days to glaze, fire, and photograph.

But New Things Soon!

Swearsies.

Kiln Problems. #Struglife

Well, I’m headed to NCECA in Minneapolis tomorrow. I’m looking forward to stocking up on tools, dry materials, and a boatload of inspiration.

One of the last things I’ve been trying to wrap up before I go is some pigmented porcelain tests. I want to see how my current color palette works in two porcelain bodies. With this info I’d have an idea what additional ingredients I might want to try. The thing is…. my kiln!

Last time it tripped the breaker when I’d set the firing speed to fast. So this morning I set it to medium speed and now it’s failing to increase in temp at the programmed speed and aborting the cycle about 30 degrees before temp. Once it cools, my tiles should be close enough to rock n’ roll. But still. I’m more than a little frustrated. The kiln cooling will probably delay me getting on the road… not to mention that I suspect the problem may not be with my kiln but with the power we had pulled… which is discouraging. The spouse suspects a relay or coil, so he’ll be checking all of this out while I’m away.

On the for real though, I really wish my kiln would get over itself so I could let some ideas loose. Everyone- cross yo fingers my man sorts this out and I come home to magic! If not, wish me patience!!!!

The No Shop Update- Shop Update.

In 2012 or something, I tried to sell off my last few robot cups on Etsy- to no avail. Etsy randomly changed me back to a buyer account a couple years ago since my shop was “defunct”

I recently changed my account back to being a seller without issue. Then I spent the last couple of days photographing new work in portfolio style, as well as the Etsy “homey” style, and setting up all the listings with measurements, shipping estimates, and pricing. The whole nine yards. I go to publish and I get a message saying I cannot list items until I reopen my shop. I follow the instructions provided for this- and the only option I’ve got is to close my shop….

The whole reason I chose to set up my shop on Etsy was to have access to their market. It made sense to grow a following there and eventually move sales here to the more stable platform. I just restarted my website, so It’s not like I get a ton of traffic. …but then this…

… I’ve sent an email to their help queue… if i don’t hear back I’ll list items here on my page. Just wanted to keep y’all in the loop.

Because why do it once, when you can do it twice?!?! :)

Artist Rant

A lot of artists struggle with imposter syndrome and feeling like their work will never be noteworthy. After all, it’s difficult to objectively criticize an inherently subjective body, why not assume the worst? Some of us talk about it, some of us don’t. Being confident in your work is difficult, especially if you’ve been away from it for a while, as I have.

After getting my BFA, I had to work pretty hard to make ends meet. Without access to a studio, suddenly I was on my own with a wheel and a used kiln that I could never find power for. Pair that with an awful relationship and multiple moves across Florida and Georgia, and I just stopped making work.

Suddenly, it’s 8 years later and I’ve finally been financially stable long enough to stop hustling and catch my breath. I live in Omaha now, and I miss the ocean. The thing is- unlike Florida- Nebraska has basements! As a homeowner, I can get whatever power my kiln needs! I can make pots again!!! It’ll be like riding a bike!

It wasn’t. Holy Self Doubt, Batman! I got a sink installed in my basement and set up my wheel, but something wasn’t right. No matter what I did, it felt like I couldn’t throw consistently to save my life. I could feel it as I was throwing. Uneven wall thickness. Not in the vertical axis though… I was throwing unevenly in the horizontal…which is usually a beginner’s problem.

I’d start a piece perfectly centered but by the time it was close to finished, nothing lined up. It was so bad I thought I could hear the wheel struggling when I tried to re-center. Trimming was a nightmare. There was always a thin side and a thick side. I felt like a total novice and couldn’t find a solution. I even bought a griffin grip so that at the very least, I could improve my trimming…

But even with the most epic trimming aid, I’d consistently remove too much material on one side. If I rotated the piece, I’d trim too much from a different side and Sweet Georgia Brown this made no sense!!!

Then it clicked … unless the wheel wasn’t spinning evenly… was that the hesitation I felt.. was my belt slipping? Is that what that sound was?

I started to take things apart and make adjustments. I emailed the manufacturer for guidance. I included a video so they could hear the noise… and it was actually a problem with the motor. They’re sending me a replacement.

That was the problem. Uneven rotations. Damaged bearing in the motor, they said. That’s what the sound was.

I cannot stress enough how frustrated I am with myself for not considering that maybe I wasn’t the problem. I spent almost a year kicking myself and sinking my self confidence more and more as I continued to “fail.” I’ve been so slow to make and finish work because I’ve been convinced that I was just not good anymore. I was so sure that I was the problem.

So that’s my rant. I wanted to share it because I think we artists get down on ourselves too easily. I let myself get caught in that trap of “I’m not good enough, of “no matter how hard I hard I try, I’m not getting better” and “i should just give up!”. I think a lot of us fall into this trap- but we need to keep working anyway.

Keep making. Don’t hold back. Don’t assume you’re the problem… look at it from another angle. Keep working until it clicks.

Progress at Last

Well, I’ve actually been able to get a fair amount of work done this week in spite of having a couple of pretty stressful days. I’ll be doing one more bisque fire before I get a full load to glaze. Then it’ll be time for photos and a shop update. Woo!

Just as a heads up. It’s going to be a bit of an oddball batch, but there should be a few Lady Vases, half a dozen RoboCups, and eight-ish (?) new mugs with some fun colors and patterns incised into the clay… keep an eye on my insta for previews of those puppies getting made. Oh, also, 1 full sized Robot. Assuming the kiln gods are kind.

Delay All Day

Lately, about half the time I trim a piece it ends up deforming pretty severely. It’s a combination of the shape and thinness that I throw. A lot of my pieces are tall (relative term for sure) and delicate … so I just dropped $200 on a griffin grip.

I feel like I just keep buying more and more equipment and supplies for the studio. First we had to get more power pulled to the house for my kiln…which previously needed a new thermocouple…then I needed a sink… lighting…blown kiln relay, more bats, better carving tools…. Learning a new clay body….

Hopefully this is the last big item for a while. It’s getting really frustrating because the cumulative effect is that after months of work I have yet to do a glaze firing. I just want to make all of the things!! Clay gods!!! Y U No Cooperate?!?

Studio Update- January 2019

Well, I figured that in trying out new clay, it made the most sense to continue to make the same sort of work I was making in the past. Half a dozen Robot Cups and three-ish “Lady Vases” later, I’ve decided that I’m done with all of that. That work feels stale to me and I just don’t feel particularly inprired to make more of it.

I plan to focus on forms and surface design and texture for a while.

If you’ve been wanting a robot cup or vase, I’ll post here when they’re available for purchase.

Fresh from the Studio- Insta Feed